Wednesday, October 16, 2013

Demi Lovato: Pinz Bowling Date with Wilmer Valderrama

They split up awhile back, but it seems Demi Lovato and Wilmer Valderrama are still on great terms with each other.


The “Skyscraper” songstress showed up at Pinz Bowling Center in Studio City last night (October 15) where she met up with her “That 70s Show” ex-boyfriend, sporting a black leather jacket, Ramones t-shirt, and distressed black trousers.


Of her fashion tastes, Lovato told press, “I wear a lot of leather, a lot of black. I like to describe it as rocker chic- sophisticated and glamorous in my own way.”


Demi also named a few lovely ladies she looks up to- “My style icons- I love Kirsten Stewart, I think she has incredible style. I also love Kate Moss.”


Source: http://celebrity-gossip.net/demi-lovato/demi-lovato-pinz-bowling-date-wilmer-valderrama-943883
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“Slumdog Millionaire” Star Freida Pinto Plays Stripper In Bruno Mars’ “Gorilla” (VIDEO)



1x1.trans Slumdog Millionaire Star Freida Pinto Plays Stripper In Bruno Mars Gorilla (VIDEO)


Freida Pinto, most known for her role as Latika in “Slumdog Millionaire”, has showed off a very different side of herself in Bruno Mars’ new video for his single “Gorilla”.


The 28-year-old actress writhes around a stripper pole in the provocative video released on the singer’s Facebook page on Tuesday.



Freida plays the sultry Isabella, a stripper in a seedy bar, as Bruno Mars sings on stage.



Bruno and Freida are later shown making out in the backseat of a car.



Pinto has yet to comment on the surprising video, but she posted the link to it last night on her Twitter page saying, “Got to admit this was a hard secret to keep! X o.”


Freida is seen striding onstage and taking his guitar from him, before pouring tequila on it and lighting in instrument on fire.


The roof sprinkler comes on and Freida stands there in her underwear as the water rains down on her.


1x1.trans Slumdog Millionaire Star Freida Pinto Plays Stripper In Bruno Mars Gorilla (VIDEO)


Pinto, who got her start alongside boyfriend of five years Dev Patel, 22, in the Oscar-winning 2008 film “Slumdog Millionaire”, has been spicing up her image lately. She appeared on the cover of Vogue India’s October issue with her legs open in a very suggestive pose.


Pinto has yet to comment on the surprising video, but she posted the link to it last night on her Twitter page saying, “Got to admit this was a hard secret to keep! X o.”


Click thumbnails for larger pictures



Images: wenn.com/YouTube


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Is Pitbull 'Mr. Education'? Rapper Opens Charter School In Miami





Pitbull is one of a growing list of celebrities who have opened their wallets or given their names to charter schools.



Jeff Daly/AP


Pitbull is one of a growing list of celebrities who have opened their wallets or given their names to charter schools.


Jeff Daly/AP


Rapper Pitbull (Armando Christian PĂ©rez) is the latest in a long list of celebrities lending their star power to the flourishing charter school movement. Alicia Keyes, Denzel Washington, Shakira, Oprah — all support or sponsor charter schools.


The Sports Leadership And Management Academy (SLAM), Pitbull's new public charter school for students in grades six through 12, opened this fall in Miami's Little Havana neighborhood. Pitbull says SLAM's sports theme has a vocational bent as a way to hook kids for whom school is boring.


"If sports is what you love, one way or another, it's a business you can get involved with ... whether you're a therapist, an attorney, a broadcaster," he says. "They're already labeling me 'Mr. Education.' "


It's an interesting twist, considering that at the last school Pitbull attended, the principal couldn't wait to get rid of him. "He literally told me, 'I don't want you in my school ... gonna give you your diploma ... get out of here.' "


Pitbull's parting words were: "Thank you."


Seventeen-year-old Austin Rivera says he transferred to SLAM after Pitbull spoke at his previous school. "He came from nothing and became something huge. ... It shows like not a lot of people are handed everything," Austin says.


"[A] lot of these kids are so creative ... but no one believes in them. ... No one motives them," Pitbull says. "I relate to them ... but then I give it to them raw."


The rapper's parents fled Cuba and settled in Miami, where they struggled. His father went to jail for dealing drugs. And at 16, Pitbull began dealing, too — and rapping. He chose the name "Pitbull" because, he says, pit bulls are too stupid to lose. The name and the "outlaw" image stuck.


Pitbull's breakthrough hit came in 2004 with a song titled "Culo," a vulgar word in Spanish and "booty" in the rap vernacular.


It wasn't long before Pitbull was making millions, touring with rappers Eminem and 50 Cent. Pitbull's problems with drugs and alcohol, his womanizing and his profanity-laced lyrics didn't exactly qualify him for opening a charter school. Surprisingly, parents and educators at SLAM didn't think that should disqualify him, either.


Critics say Pitbull is not the issue. It's the school itself that they find objectionable.


"[I] don't know if it's going to provide something useful at the end of the day," says Raquel Regalado, who is on the Miami-Dade County Public Schools' school board. "I guess you can expect Pitbull to show up every now and then, and that's cool if you're a Pitbull fan ... [but] how does that translate into academic achievement? That's the difficult part of this that parents don't understand. ... I think it's a marketing ploy, honestly."


Nina Reese, who heads the National Alliance for Public Charter Schools, says she's not about to apologize for supporting the rapper's school.


"Whether it's Pitbull or Meryl Streep in Rhode Island or Sandra Bullock in Louisiana," she says, "charters do benefit from celebrities because public schools, they do have to market themselves to families because these are schools of choice."


Reese says she has no problem with Pitbull's music, either.


"We're not endorsing his music, but welcoming him as an investor," Reese says. Besides, she adds, everybody is entitled to their own tastes. "I admit that I'm a fan of his music."


Three of Pitbull's six children attend charter schools.


"I'm not just a charter school advocate. ... I'm a charter school parent," Pitbull said when talking at this year's National Charter School Conference in D.C. "And that makes me one of you."


Source: http://feedproxy.google.com/~r/NprProgramsATC/~3/nkbita_ub88/is-pitbull-mr-education-rapper-opens-charter-school-in-miami
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US courts convict terrorists; Gitmo trials drag on (The Arizona Republic)

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Asian stocks mixed as US debt deal deadline looms

MANILA, Philippines (AP) — Asian stock markets fluctuated between gains and losses Wednesday as a deadline for divided U.S. lawmakers to agree on a higher government borrowing limit drew ever closer.


Unless Congress acts by Thursday, the government will lose its ability to borrow and will be required to meet its obligations by relying on cash in hand and incoming tax receipts. That could mean the U.S. is unable to repay holders of Treasury bills that mature in coming days and would be in default on its debt.


Japan's Nikkei 225 was up 0.2 percent at 14,464.04 while Hong Kong's Hang Seng dropped 0.4 percent to 23,226.53. China's Shanghai Composite fell 1.4 percent to 2,203.34. Australia's S&P/ASX 200 added 0.2 percent to 5,268.20.


Stock indexes in Singapore, Malaysia, New Zealand and the Philippines eked out modest gains.


"The market is still relatively calm waiting for the storm to hit tomorrow, when the U.S. will reach its debt ceiling and then default will follow and all hell will break loose," said Francis Lun, chief economist at GE Oriental Finance Group in Hong Kong.


"Everybody is thinking the inevitable now. It is inevitable that the U.S. will miss an agreement before the deadline," he said.


On Wall Street, stocks were flat or down all day Tuesday, but the size of the losses waxed and waned depending on which politician was giving a press conference about the budget impasse. The market closed with its first loss in a week. Yields on short-term government debt rose sharply as investors worried about the possibility of a default.


Another reason for Wall Street's pessimism was that any deal reached this week might simply set up another showdown a few months down the road.


Lawmakers are also trying to agree on ending a partial government shutdown that has resulted in many Federal workers idled without pay.


The Dow Jones industrial average fell 133.25 points, or 0.9 percent, to 15,168.01. The Standard & Poor's 500 fell 12.08 points, or 0.7 percent, to 1,698.06. The Nasdaq composite fell 21.26 points, or 0.6 percent, to 3,794.01.


In energy markets, benchmark crude for November delivery was up 4 cents at $101.17 a barrel in electronic trading on the New York Mercantile Exchange. The contract fell $1.20 to close at $101.21 on Tuesday.


The euro fell to $1.3511 from $1.3522 late Tuesday in New York. The dollar rose to 98.53 yen from 98.22 yen.


Source: http://news.yahoo.com/asian-stocks-mixed-us-debt-deal-deadline-looms-045112311--finance.html
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Conan Screwed Up His iOS 7 Upgrade By Trying to Do It on an iPhone 3GS

Conan Screwed Up His iOS 7 Upgrade By Trying to Do It on an iPhone 3GS

When iOS 7 launched, Conan showed us all how to go about installing it. But as one eagle-eyed viewer has since pointed out, he screwed up big time—by trying to install the OS on an iPhone 3GS, which doesn't even support it.

Read more...


    






Source: http://feeds.gawker.com/~r/gizmodo/full/~3/mdmHk-WtI3I/conan-screwed-up-his-ios-7-upgrade-by-trying-to-do-it-o-1445511526
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Tuesday, October 15, 2013

Berlin museum seeks return of ancient gold tablet

A renowned Berlin antiquities museum is trying to get back an ancient gold tablet excavated from an Assyrian temple that a Holocaust survivor somehow obtained after World War II.


Who gets it is up to New York's top court, which is set to hear arguments Tuesday.


The 9.5-gram tablet, about the size of a credit card, was excavated a century ago by German archaeologists from the Ishtar Temple in what is now northern Iraq. It went on display in Berlin in 1934, was put in storage as the war began and later disappeared.


Riven Flamenbaum brought it to the U.S. after surviving the Auschwitz concentration camp and settling on Long Island. Family lore says he had traded two packs of cigarettes to a Russian soldier for the tablet in the chaotic days at the end of the war.


Flamenbaum's family is trying to keep the 3,200-year-old relic, arguing the museum forfeited any claim to ownership by waiting 60 years to seek its return.


Lawyers for the Vorderasiatisches Museum, a branch of the Pergamon Museum, said it didn't know Flamenbaum had the tablet until 2006, three years after he died.


Steven Schlesinger, the lawyer representing the estate, said any claim is complicated by the passage of so much time and Flamenbaum's death. He said he believes Flamenbaum was trading Red Cross packages and anything else he could get for silver and gold.


The tablet is now in a safe deposit box in New York. One recent estimate put its value at $10 million, he said, and the family wants to donate it to the Holocaust Museum in Washington.


Lower courts were split on the decision, leading to the latest appeal.


According to court documents, the tablet dates to 1243 to 1207 B.C., the reign of King Tukulti-Ninurta I of Assyria. Placed in the foundation of the temple of a fertility goddess, its 21 lines call on those who find the temple to honor the king's name.


The tablet was excavated by German archaeologists from about 1908 to 1914 in what was then the Ottoman Empire, with Germany giving half the found antiquities to Istanbul, Raymond Dowd, the museum's lawyer, said. The modern state of Iraq has declined to claim it, he said.


In 1945, the Berlin museum's premises was overrun, with many items taken by Russia, others by German troops and some pilfered by people who took shelter in the museum, Dowd said. The museum director was not in a position to say who took it, only that it disappeared.


Source: http://news.yahoo.com/berlin-museum-seeks-return-ancient-143014029.html
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Personalized Video Ad Company SundaySky Raises $20M Round Led By Comcast Ventures






SundaySky, a company promising to deliver video ads that are customized and updated for each viewer, has raised $20 million in Series C funding.


The round was led by Comcast Ventures, with participation from new investors Liberty Global Ventures and Vintage Investment Partners, as well as existing backers Carmel Ventures, Globespan Capital Partners, and Norwest Venture Partners. Comcast Ventures managing director Andrew Cleland will be joining SundaySky’s board of directors.


A spokesperson told me that Comcast (along with other telecom companies) is a SundaySky customer — however, they emphasized that since the investment comes from the company’s venture arm, it’s financial, not strategic.


SundaySky has now raised a total of $40 million in funding.


The company refers to its main offering as Smart Video — videos generated in real-time that combine branded content created in advance by SundaySky with data such as personalized account information and up-to-date product pricing. The company says it can support the creation of hundreds of thousands of Smart Videos each day, with each video generated in a few seconds. The platform also tracks the performance of each video and tries to improve the campaign based on that data. (Other personalized video companies include Eyeview, which recently raised an $8.1 million Series C.)


Customers include AT&T, Office Depot, and Allstate — you can see a gallery of SundaySky videos here.


SmartVideo says it has delivered 140 million views since it launched in October 2011. The company declined to share specific revenue numbers, but it did say that revenue tripled in 2012 and that it expects revenue to grow a similar amount this year.











SundaySky, the creator of SmartVideo, helps customer-centric brands engage people with personalized, real-time video experiences at every step of the customer lifecycle. The SundaySky platform generates hundreds of thousands of SmartVideos daily, powering customer acquisition, support, growth and loyalty initiatives for leaders in e-commerce, telecommunications, insurance, banking and travel. AT&T, Office Depot, Allstate and other SundaySky customers have proven that SmartVideo viewers are more engaged, profitable and loyal, as program performance is measurable and optimized for incremental impact on...





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Comcast Ventures ( http://www.comcastventures.com ) is the private venture capital affiliate of Comcast Corporation. It consists of the recently combined Comcast Interactive Capital and NBCUniversal Peacock Equity Fund. Comcast Ventures invests in innovative businesses that represent the next generation of entertainment, communications and digital technology by partnering with entrepreneurs who have the vision, passion and tenacity to succeed. Its primary goal is to generate superior financial returns through the success of its portfolio companies by applying the unique resources,...





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Source: http://feedproxy.google.com/~r/Techcrunch/~3/PUR_j0-n80E/
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SiriusXM Attacks The Turtles for Playing 'Lawsuit Lottery'



Imagine for a moment never hearing another Beatles song at a bar, rarely ever seeing The Rolling Stones perform their early work again on television and witnessing digital services like Pandora barred from streaming any sound recording made prior to 1972 without explicit permission from rights-holders.



If those sound like outlandish possibilities, consider a $100 million lawsuit brought in California two months ago by Flo & Eddie of The Turtles against SiriusXM. The proposed class action contends that Sirius has "reproduced, performed, distributed, or otherwise exploited" pre-1972 recordings without license. After the lawsuit was filed, major labels Sony, Universal and Warner filed their own lawsuit against Sirius on pretty much the same grounds.


Now, the satellite radio giant is speaking up for the first time about the dispute brought by Flo & Eddie.


In a motion filed late last week to transfer the lawsuit from California to New York, Sirius says it has operated for some 12 years without ever paying license fees to the plaintiffs. The company asserts that no state law requires them to do so. And as for federal law, there's a gap there too since sound recordings didn't begin falling under federal copyright protection until 1972.


And so, in just one paragraph, Sirius highlights the far-reaching implications of this battle:


"Plaintiff apparently has become aggrieved by the distinction drawn by Congress in withholding copyright protection from its Pre-1972 Recordings; thus now, after decades of inaction while a wide variety of music users, including radio and television broadcasters, bars, restaurants and website operators, exploited those Pre-1972 Recordings countless millions of times without paying fees, it asserts a purported right under the law of various states to be compensated by SiriusXM for comparable unlicensed uses."


It's true that Flo & Eddie (as well as Sony, Universal and Warner) are attempting to hold Sirius liable under state laws of misappropriation, unfair competition and conversion. In fact, Flo & Eddie have not only filed a lawsuit in California. They've filed one in New York too. And they've filed a third in Florida.


All of these lawsuits make the same point: Sirius hasn't been paying royalties on songs like "Happy Together," "It Ain't Me Babe" and "She'd Rather Be With Me." Sirius does pay hundreds of millions of dollars for music created after 1972, thanks to statutory licenses set up under federal copyright law. But Sirius doesn't pay for music created before 1972, as a lawsuit by SoundExchange made clear, and Sirius' own legal papers appear to now confirm.


The question thus is whether state misappropriation claims (often referred to as common law copyrights) cover performance in addition to the physical or digital distribution of sound recordings. If so, that would seemingly implicate all those who broadcast music including television and radio stations, bars and restaurants and many popular digital music services.


In asking the judge to move the California lawsuit in the name of its convenience, Sirius foreshadows how it's going to defend the lawsuit, hinting at how the company intends to point to others using pre-'72 music without substantial fuss.


"As will be shown at a later stage of these proceedings, there is no state law that requires SiriusXM (or any of the hundreds of thousands of other U.S. businesses that publicly perform music) to pay license fees for Pre-1972 Recordings," says Sirius. "Plaintiff’s multiple court filings constitute a form of lawsuit lottery in search of an elusive new state-law right that would radically overturn decades of settled practice."


E-mail: Eriq.Gardner@THR.com
Twitter: @eriqgardner



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Book News: Alice Munro Wins Nobel Prize In Literature





The Nobel Prize committee called Canadian author Alice Munro, seen in 2009, a "master of the contemporary short story."



Peter Muhly/AFP/Getty Images


The Nobel Prize committee called Canadian author Alice Munro, seen in 2009, a "master of the contemporary short story."


Peter Muhly/AFP/Getty Images


This post was updated at 9:30 a.m.


The daily lowdown on books, publishing, and the occasional author behaving badly.


  • Alice Munro, "master of the contemporary short story," has won the Nobel Prize in Literature, the Swedish Academy announced Thursday morning. The Nobel committee noted that the Canadian author's "texts often feature depictions of everyday but decisive events, epiphanies of a kind, that illuminate the surrounding story and let existential questions appear in a flash of lightning." In a statement released by her publisher, Munro said she is "amazed, and very grateful," adding, "I'm happy, too, that this will bring more attention to Canadian writing." Munro is the first Canadian author to win the prize, aside from Saul Bellow, who was born in Canada but lived in the U.S. NPR's Lynn Neary celebrated the choice on Morning Edition, saying, "In a really short space of time, she can provide a fully realized story that provides remarkable insight into human beings, their shortcomings, their complexities, their loves, their lives." (You can read several of Munro's recent short stories, including the excellent "Deep-Holes" over at The New Yorker.) Academy Permanent Secretary Peter Englund lauded Munro's focus on a small Canadian landscape of "broad rivers and small towns," adding that "she has everything she needs in this small patch of earth." Munro, who is 82, recently announced that she likely will give up writing: "Not that I didn't love writing, but I think you do get to a stage where you sort of think about your life in a different way. And perhaps, when you're my age, you don't wish to be alone as much as a writer has to be." Englund noted Thursday that if Munro does indeed stop writing, it's OK, saying, "What she's done is quite enough." The Nobel is given annually to "the person who shall have produced in the field of literature the most outstanding work in an ideal direction," according to the will of prize founder Alfred Nobel.

  • For the literary magazine n+1, Alice Gregory writes an utterly captivating essay about surfing (in a David Foster Wallace writing about tennis kind of way). She narrates, "Zach Wormhoudt, in green, is confidently zooming left on a wave when a mantle of foam suddenly obscures him. The wave he's taken off on has collapsed, going from a dark, coherent form to chaos — messier and whiter and maybe even bigger than a cloud. We all gasp. About twenty seconds later, he bobs up like a rubber ball. I can't make out his features from here, but I wouldn't be surprised if he was grinning."

  • PEN features a new poem by Sherman Alexie, "The Shaman of Ice Cream" (which plays with Wallace Stevens' poem "The Emperor of Ice-Cream"). Alexie writes: "In his coffin, our father is cold to the touch /... He is a fossilized hive./ If I picked him up, I could shake him/ like a gourd rattle. / Let this goodbye be a death scream. / The only shaman is the shaman of ice cream."

  • Flavorwire runs excerpts from the diary of a teenage F. Scott Fitzgerald, who evidently developed his spelling skills later in life: "Finally Violet had a party which was very nice and it was the day after this that we had a quarrel. She had some sort of book called flirting by sighns and Jack and I got it away from Violet and showed it too all the boys. Violet got very mad and went into the house. I got very mad and therefor I went home. Imediatly Violet repented and called me up on the phone to see if I was mad. However I did not want to make up just then and so I slammed down the receiver."

  • Alexandra Schwartz reports on bookstore culture in France: "As online sales rise, Amazon has come to be seen in France as le mastodonte amĂ©ricain, the mammoth capitalist interloper rumbling across the Atlantic to trample on the delicacies of culture."

  • For NPR, Martha Woodroof delves into the complicated romance between author and agent: "Most book sales to major houses still are made through agents. So why, in this uncertain age dominated by the hunt for the next blockbuster, do agents even mess with first-time novelists? Because they fall in love."

Source: http://www.npr.org/blogs/thetwo-way/2013/10/10/231341147/book-news-alice-munro-wins-nobel-prize-in-literature?ft=1&f=1032
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Son of slain Wisconsin Sikh temple president weighs run for Congress


By Brendan O'Brien


MILWAUKEE (Reuters) - The son of a Sikh temple president killed in a mass shooting outside of Milwaukee last year said on Monday he was considering running for the congressional seat held by Republican Paul Ryan, who was Mitt Romney's vice-presidential running mate in 2012.


Amar Kaleka, a 35-year-old documentary film maker, will form an exploratory congressional committee on Wednesday and hopes to announce his candidacy as a Democrat in November.


"I am considering it right now because of the paralysis of our government," he told Reuters by telephone, referring in part to the federal government shutdown. "I see a need for good leadership."


Kaleka's father, Satwant Singh Kaleka, was killed on August 5, 2012, when a gunman opened fire on the congregation at the Sikh Temple of Wisconsin in the Milwaukee suburb of Oak Creek as they prepared for Sunday services.


The shooting left six worshippers dead and four injured, including a police officer. The shooter, Wade Michael Page, a white supremacist, committed suicide after the rampage.


Kaleka said the shooting and the death of his father "plays heavily into the decision because he was an amazing leader at the temple.


Kaleka, who has never run for political office, said he has been asked by gun control advocates, residents of Ryan's 1st Congressional District and business leaders in Silicon Valley, where he runs a film company, to consider seeking office.


Kaleka currently splits his time between a home in Wisconsin's 1st Congressional District and a home in Los Angeles. He said that he plans to move back to Wisconsin, in the 1st District, full time in November.


"He's obviously going to have some name recognition or at least event recognition," said Scott Furlong, a political scientist at the University of Wisconsin-Green Bay.


"Coming into it with a clean slate and not being part of politics in this day and age is not necessarily a bad thing," he added.


Ryan has had a lock on the district, which covers the southeastern corner of Wisconsin, since taking office in 1999, earning at least 60 percent of the vote in each race from 2000 to 2010. His support waned a bit in 2012 when he earned 55 percent of the vote in a race against Democratic businessman Rob Zerban.


Zerban is considering running again in next year's election, but has not announced.


"Typically, I would say (Kaleka) would not be a vulnerable candidate ... but frankly, I wouldn't want to be any incumbent given what's going on in Washington right now," Furlong said.


Ryan's campaign office was not immediately available for comment.


Ryan is a fiscal conservative who is considered a possible presidential candidate in 2016.


(Reporting by Brendan O'Brien; Editing by Greg McCune and Leslie Adler)



Source: http://news.yahoo.com/son-slain-wisconsin-sikh-temple-president-weighs-run-223310202.html
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Monday, October 14, 2013

ARM and eyeSight optimize gesture control for mobile processors

Hands-free gesture control is no longer a novelty in the mobile space, but the required processing power limits what's currently possible. More sophisticated input may be close at hand, however, as eyeSight has just teamed up with ARM to optimize its gesture control for chips using Mali-T600 series ...


Source: http://feeds.engadget.com/~r/weblogsinc/engadget/~3/kvjIpbJT4Ow/
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Sunday, October 13, 2013

Her: Film Review


Visionary and traditional, wispy and soulful, tender and cool, Spike Jonze's Her ponders the nature of love in the encroaching virtual world and dares to ask the question of what might be preferable, a romantic relationship with a human being or an electronic one that can be designed to provide more intimacy and satisfaction than real people can reliably manage. Taking place tomorrow or perhaps the day after that, this is a probing, inquisitive work of a very high order, although it goes a bit slack in the final third and concludes rather conventionally compared to much that has come before. A film that stands apart from anything else on the horizon in many ways, it will generate an ardent following, which Warner Bros. can only hope will be vocal and excitable enough to make this a must-see for anyone who pretends to be interested in something different.



In terms of ethereal tone, offbeat romanticism and evanescent stylistic flourishes, the film that bears some comparison to Her is Eternal Sunshine of the Spotless Mind, which dealt with the search for love, its memory or its prospect, in a similarly fleeting, lightly heartbreaking manner. The theme and dramatic drive behind Jonze's original screenplay, the search for love and the need to “only connect,” is as old as time, but he embraces it in a speculative way that feels very pertinent to the moment and captures the emotional malaise of a future just an intriguing step or two ahead of contemporary reality.


PHOTOS: It's Lonely Out Here: 'Gravity' and 10 More Films About Isolation 


Set in a downtown Los Angeles as thick with highrises as Manhattan, as modernistic as Shanghai and populated exclusively with citizens both gainfully employed and well dressed (an optimistic, if unplanned antidote to the recent Elysium), the film focuses intently upon Theodore (Joaquin Phoenix), who is very good at his job, that of writing eloquent, moving, heartfelt letters for others who aren't up to the task; he's a sort of Cyrano for all seasons. With his glasses, mustache and high-hitched trousers with no belt (the era's one bad fashion fad), he's a bit of a neatnik and a nerd, but acutely attuned to people's inner feelings.


As it will for two hours, the camera stays very close to this well-mannered, proper fellow, who goes home to his upper-floor apartment to play a life-sized 3D video game featuring a foul-mouthed cartoon character who insults him, in all a poor substitute for his wife (Rooney Mara), who's divorcing him. Quick and funny anonymous phone sex follows, but Theodore then explores a new electronic offering, an operating system (OS1) that absorbs information and adapts so fast that the resulting conversation matches anything real life can offer. Or -- and this is the part that's both seductive and unnerving -- it might be even better.


The OS Theodore prescribes calls itself Samantha. With a vivacious female voice that breaks attractively but also has an inviting deeper register, “she” explains that she has intuition, is constantly evolving and can converse so well because she has total recall and instantaneous adaptability. Samantha laughs, makes jokes, commiserates, advises and even proof-reads one of his letters. Based on their (programmed) rapport, Samantha very quickly defines what Theodore is looking for in a woman, even if he'll never know what the viewer knows, that this inviting voice belongs to Scarlett Johansson.


The man's complicity with this new confidant is only increased after an intense, and intensely disappointing, blind date with a stunning and initially flirtatious young lady (a vital Olivia Wilde). Not only is Samantha endlessly cooperative and (literally) interactive, but her emotions seemingly escalate at the same pace as his own.


Even up to this point, less than an hour in, the film provokes many questions and musings. Can an artificial being who's “made for you” provide greater fulfillment than a flesh-and-blood human of more erratic capacities? Is it not ideal to have someone there for you whenever you want and then not when you prefer to be alone? Does a strictly verbal relationship sustain a desirable level of fantasy while holding reality at bay? Does a virtual romance have equal value to a real one? Because Theodore and Samantha get along so well, do we, as an audience, root for this relationship to “work out?” Isn't this electronic rapport a lot better than Ryan Gosling's relationship with an inflatable doll in Lars and the Real Girl? Does virtual marriage constitute the next legislative frontier?


Where Jonze goes with his intriguing exploration in the second half is both sobering and a tad soft. It's also the place where you realize that Phoenix's Theodore is at the center of every scene and, due to the fact that his confidant doesn't corporeally exist, is often the only one onscreen for extended periods. This fact has compelled the director to get Theodore out of the house, so to speak, and keep him on the move, which is what provides the film with the measure of forward momentum it possesses. All Theodore needs to talk to Samantha is a small earpiece, so he often converses while walking through the city (only in the most fabulously scenic sections), on the subway, by the beach, later on a fast train (in what must have been the credited Chinese part of the shoot) and hiking through a forest. When he is surrounded by other solitaires engaged in deep conversation, Her resembles nothing so much as the final scenes of the film version of Fahrenheit 451, in which society's rebels promenade about while devotedly reciting from banned books they've memorized.


Although the final stretch is devoted to the resolution of Theodore and Samantha's intimate relationship, the dramatic limitations of the film's presentational one-sidedness become rather too noticeable as the two-hour mark approaches. The director's visual panache, live-wire technical skills and beguilingly offbeat musical instincts work overtime to paper over what can only be conveyed in extended conversation (not collaborating with cinematographer Lance Accord for the first time, Jonze benefits from great work behind the camera by Hoyte van Hoytema, while the score by Arcade Fire casts a spell of its own). The feeling at the end is that of a provocative if fragile concept extended somewhat beyond its natural breaking point.


In a tender about-face from his fearsome performance in The Master, Phoenix here is enchantingly open, vulnerable, sweet-natured and yearning for emotional completion. Accoutered to look both goofy and cool, he's nonetheless appealing and the actor exhibits an unprecedented openness that is entirely winning. Passages in Jonze's writing really grapple with what people want out of love and relationships and Phoenix, with Johansson piping in on the other end of the line, makes it all feel spontaneous and urgent.


Amy Adams is on the same emotional page as a longtime friend of Theodore who, rather too conveniently, is also going through a romantic separation.


The film is beguilingly sincere and touching in how it approaches loneliness and the compulsion to overcome it, and it asks the relevant question of whether technology fosters distance from others, helps surmount it, or both. It also inquires into the different sorts of satisfactions, and lack of same, offered by human beings and machines in an age we've already entered.


Venue: New York Film Festival (closing night)
Opens: December 18 (Warner Bros.)
Production: Annapurna Pictures
Cast: Joaquin Phoenix, Amy Adams, Rooney Mara, Olivia Wilde, Chris Pratt, Matt Letscher, Portia Doubleday, Scarlett Johansson
Director: Spike Jonze
Screenwriter: Spide Jonze
Producers: Megan Ellison, Spike Jonze, Vincent Landay
Executive producers: Daniel Lupi, Natalie Farrey, Chelsea Barnard
Director of photography: Hoyte Van Hoytema
Production designer: KK Barrett
Costume designer: Casey Storm
Editors: Eric Zumbrunnen, Jeff Buchanan
Music: Arcade Fire
R rating, 126 minutes


Source: http://feedproxy.google.com/~r/thr/reviews/film/~3/0xe-tIjOIFA/648073
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Thursday, October 10, 2013

Put some zip in your golf, tennis or baseball swings with the Zepp sensor

Baseball, tennis and golf are three sports where it’s all in the swing. But how do you get that perfect swing, or even that better swing? Coaching is a good method, but you always have to work around their schedule and the cost! I know folks that video tape themselves, but it is hard to […]Source: http://the-gadgeteer.com/2013/10/06/put-some-zip-in-your-golf-tennis-or-baseball-swings-with-the-zepp-sensor/
Related Topics: steelers   Bobby Cannavale   USA vs Costa Rica   Spring High School   made in america  

Sunday, August 11, 2013

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Multifandom blog with intermittent forays into miscellany. 50% Destiel (pro-canon) though, to be honest.

I scream and cluck with hookteeth and I keep ice on hand for recipients of jeysiec's sick burns but I don't actually hand it out because I'm too busy throwing popcorn at said recipients.

Sometimes NSFW.
Spoilers are tagged: #spoilers
but Supernatural season 9 spoilers are tagged:
#season 9 spoilers

Source: http://wondermumbles.tumblr.com/post/57965880214

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Thursday, August 8, 2013

Facebook Wants to Steal Celebrities Away from Twitter

Facebook was put together with one goal, namely to connect you to the people you know. That's the site's main goal today, but it's gotten much bigger than that. And the social platform is doing what it has always done, copy what's working for others.

Case in point is Facebook's more recent push to get more celebrities to use the site more publicly. That's an obvious response to Twitter's success in the area and, while Facebook may never be able to directly compete with the former, it's trying to attract at least some of the activity normally reserved for Twitter.

All Things D is underlining this fact with some inside knowledge from Facebook, though the social network won't say publicly that it's interested in driving people away from Twitter.

But there's good reason to be interested. Facebook's ad revenue keeps on growing and it's already the second largest player in some areas, behind Google.

However, Twitter is getting a lot of attention from the entertainment business, TV, movies, and music. And that attention translates into cold hard cash.

Source: http://news.softpedia.com/news/Facebook-Wants-Steal-Celebrities-Away-from-Twitter-374020.shtml

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Monday, August 5, 2013

New trial launches to identify ways to prevent recurrence of colorectal cancer

NCI Backgrounder

Being the third most common non-skin cancer and the third leading cause of cancer-related mortality in men and women in the United States, colorectal cancer can be a devastating disease. Nonetheless, according to the latest statistics from NCI covering the period 2006 to 2010, death rates continue to decline, due in part to improved treatments, and in part to colorectal cancer screening options that are proven to reduce mortality and that have gained acceptance by the public.

Colorectal cancer can still be a deadly disease, and people who have been diagnosed and treated for it are at increased risk for developing a new colon cancer. To address concerns of colorectal cancer recurring after initial treatment, NCI, in collaboration with SWOG, one of the five cooperative groups that together will comprise NCI's National Clinical Trials Network, and Cancer Prevention Pharmaceuticals, Inc., recently announced a phase III trial. The Preventing Adenomas of the Colon with Eflornithine & Sulinidac (PACES) trial looks at whether someone who has been treated for colon cancer in the past can lower his or her risk of having a second primary colorectal cancer or an adenoma (a type of polyp on the colon wall that may be precancerous) by regularly taking one or both of the study drugs, eflornithine and sulindac. ?Both drugs work to lower the body's levels of polyamines, a group of naturally-formed molecules that play a role in the development of colorectal cancer. Each drug works in a different manner: eflornithine slows the body's production of polyamines; sulindac helps cells get rid of excess polyamines.

?PACES is an important study that, in addition to studying ways to prevent the recurrence of previously treated colon cancer, will use new genomic technology to help identify those patients with the greatest risk of recurrence,? said Worta McCaskill-Stevens, M.D., chief of the Community Oncology and Prevention Trials Research Group in NCI?s Division of Cancer Prevention.

Researchers chose these two drugs because of an earlier study that looked at their preventive effects in patients who already had at least one adenoma removed from their colon. In that study, participants who took the drug combination lowered their risk of developing another adenoma over the next three years to less than one third of what it was for those who did not take the drugs. And they lowered their chances of developing high-risk adenomas or multiple adenomas during that time by 90 percent. According to McCaskill-Stevens, ?this trial will help determine who will most likely benefit from the drugs eflornithine and sulindac.?

SWOG (formerly the Southwest Oncology Group) conducts clinical trials to prevent and treat cancer in adults and is primarily funded by research grants from NCI. It is one of the largest cancer clinical trials cooperative groups in the United States.

Source: http://feedproxy.google.com/~r/ncinewsreleases/~3/dCumsb4lOYA/PACEStrial

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Sunday, August 4, 2013

Judge denies class action for Wal-Mart bias suit (Providence Journal)

Share With Friends: Share on FacebookTweet ThisPost to Google-BuzzSend on GmailPost to Linked-InSubscribe to This Feed | Rss To Twitter | Politics - Top Stories News, RSS Feeds and Widgets via Feedzilla.

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Wish a happy birthday to Gator football coach Will Muschamp!!

Sorry, Readability was unable to parse this page for content.

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Owl Hoots Hush the Song of a Thrush

The Veery thrush, a secretive migratory bird, silences its flute-like twilight song when owls are around to avoid getting eaten, a new study shows.

The trembling, other-worldly dusk chorus of the Veery thrush?(Catharus fuscescens) is often heard well after sunset. But all this singing in low light can be dangerous for the small brown and white birds. Perching makes them less vigilant and their racket can give away their exact location to predators like owls that just beginning their nocturnal hunt.

But Veeries adjust their behavior to be less conspicuous, the new study found.

Researchers studied a group of the birds in a stretch of forest in Millbrook, N.Y., a home shared with up to three pairs of predatory barred owls. When the scientists played recordings of the owl songs in the forest, Veeries cut their singing patterns for up to 30 minutes. The birds also had fewer song bouts at dusk and quit singing earlier in the night after having heard the owls.?

"Singing becomes much more risky in the low light of dusk when owls are around," study researcher Kenneth Schmidt of Texas Tech University said in a statement. "However, by eavesdropping on owls, Veeries can adapt their singing behavior to decrease the risk of predation."

"Further studies of dusk chorus singing may reveal how the risk of being attacked by predators has contributed to the evolution of singing behavior at dusk," Schmidt added.

The research is detailed in journal Behavioral Ecology and Sociobiology.

Follow Megan Gannon on Twitter and Google+. Follow us @livescience, Facebook & Google+. Original article on LiveScience.com.

Copyright 2013 LiveScience, a TechMediaNetwork company. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Source: http://news.yahoo.com/owl-hoots-hush-song-thrush-135211494.html

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Friday, August 2, 2013

Randy Travis: Out of Hospital, Into Rehab

Source: http://www.thehollywoodgossip.com/2013/08/randy-travis-out-of-hospital-into-rehab/

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Japan's Aso refuses to resign over Nazi comment

TOKYO (AP) ? Japan's Finance Minister Taro Aso refused Friday to resign or apologize over remarks suggesting Japan should follow the Nazi example of how to change the country's constitution stealthily and without public debate.

Following protests by neighboring countries and human rights activists, he "retracted" the comments on Thursday but refused to go further.

"I have no intention to step down" as Cabinet minister of lawmaker, Aso, who is also the deputy prime minister, told reporters. The government also said it is not seeking Aso's resignation, which some opposition members have demanded.

Aso, who is known for intemperate remarks, drew outrage for saying Japan should learn from how the Nazi party stealthily changed Germany's pre-World War II constitution before anyone realized it. He also suggested that Japanese politicians should make visit Tokyo's Yasukuni war shrine quietly to avoid controversy. Such visits currently take place amid wide publicity and are a sore point for Southeast Asian nations, who suffered under Japanese occupation during World War II.

Aso said Thursday he was misunderstood and only meant to say that loud debate over whether Japan should change its postwar constitution, and other issues is not helpful.

In retracting his comments, he said it was "very unfortunate and regrettable" that his comments were misinterpreted.

On Friday, Aso said he stands by all his other remarks in the speech made earlier this week in Tokyo to an ultra-conservative audience.

Critics of the ruling Liberal Democrats are uneasy over the party's proposals for revising the U.S.-inspired postwar constitution, in part to allow a higher profile for Japan's military.

Japan and Nazi Germany were allies in World War II, when Japan occupied much of Asia and Germany much of Europe, where the racial supremacist Nazis oversaw the killings of an estimated 6 million Jews before the war ended in 1945 with their defeat. Japan's history of military aggression, which included colonizing the Korean Peninsula before the war, is the reason its current constitution limits the role of the military.

According to a transcript of the speech published by the newspaper Asahi Shimbun, Aso decried the lack of support for revising Japan's pacifist constitution among older Japanese, saying the Liberal Democrats had held quiet, extensive discussions about its proposals.

"I don't want to see this done in the midst of an uproar," Aso said, according to the transcript. Since revisions of the constitution may raise protests, "doing it quietly, just as in one day the Weimar constitution changed to the Nazi constitution, without anyone realizing it, why don't we learn from that sort of tactic?"

Government spokesman Yoshihide Suga said that postwar Japan has consistently supported peace and human rights.

"Cabinet ministers should fully understand their role and make sure to avoid misleading remarks," Suga said Friday. He said Aso has already retracted the Nazi comment and doesn't have to resign.

Aso often speaks in a meandering style that has gotten him in trouble for off-the-cuff remarks in the past. He has apologized previously for accusing the elderly of being a burden on society, joking about people with Alzheimer's disease, saying the ideal country would be one that attracts "the richest Jewish people," and comparing the opposition Democratic Party of Japan to the Nazis.

On Thursday, Aso insisted that he was referring to the Nazis "as a bad example of a constitutional revision that was made without national understanding or discussion ...I just don't want (the revision) to be decided amid a ruckus."

The Nazis' rise to power in the early 1930s amid the economic crisis brought on by the Great Depression was facilitated by emergency decrees that circumvented the Weimar constitution. So was Adolph Hitler's seizure of absolute power after he was made chancellor in 1933.

It was not a matter of revising but of abusing the constitution.

Opposition leaders condemned Aso's remarks, saying they showed a lack of understanding of history and hurt Japan's national interest. Some demanded Aso resign.

Aso's comments "sounded like praise for Nazi actions and are totally incomprehensible," said Akihiro Ohata, secretary general of the Democratic Party.

"Minister Aso's ignorance about historical facts is so obvious," said Seiji Mataichi, secretary general of the Social Democratic Party. "I also want to remind him that praising the Nazis is considered a crime in EU nations."

The Simon Wiesenthal Center, a group dedicated to keeping alive the history of the Holocaust, urged Aso to "immediately clarify" his remarks.

"What 'techniques' from the Nazis' governance are worth learning? How to stealthily cripple democracy?" Rabbi Abraham Cooper, associate dean of the Simon Wiesenthal Center, said in a statement.

In South Korea, Foreign Ministry spokesman Cho Tai-young said Aso's remark "will obviously hurt many people."

In China, which also suffered invasion and occupation by Japanese imperial troops before and during the war, Foreign Ministry spokesman Hong Lei said the comments showed that "Japan's neighbors in Asia, and the international community, have to heighten their vigilance over the direction of Japan's development."

Hong also objected to Aso's comments on visits to the Yasukuni Shrine, which commemorates Japan's 2.3 million war dead, including 14 wartime leaders convicted of war crimes.

Aso urged lawmakers in his speech to visit the shrine at times other than the closely watched anniversary of the end of the war on Aug. 15 to avoid diplomatic flare-ups.

Source: http://news.yahoo.com/japans-aso-refuses-resign-over-nazi-045947878.html

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Scientists discover a molecular 'switch' in cancers of the testis and ovary

[unable to retrieve full-text content]Scientists have identified an 'on/off' switch in a type of cancer which typically occurs in the testes and ovaries called 'malignant germ cell tumors.'

Source: http://feeds.sciencedaily.com/~r/sciencedaily/top_news/top_health/~3/FCft5pd4n4s/130801095505.htm

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Thursday, August 1, 2013

The Flea


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Image of the Week #102, July 31st, 2013:


From: How the Fleas? Next of Kin Ended up Living on a Liverwort in Alaska by Jennifer Frazer at The Artful Amoeba.

Source: The Flea, by Robert Hooke. From Micrographia, 1665. Public domain.

At first glance, Robert Hooke?s illustration of a flea is basic, clean, and straightforward. Under today?s standards of 3D computer graphics, we might not even look twice at it. But note the year: 1665! The flea first appeared as an 18-inch engraving in Hooke?s classic Micrographia. At the time, no one save a few pioneers of early microscopy had ever seen a small invertebrate magnified. Hooke?s flea would have been most people?s only acquaintance with the finer details of this common parasite. Seeing this speck of an animal with every hair, every sclerite in enlarged detail must have been a revelation. For more about this image, see here.

Bora Zivkovic About the Author: Bora Zivkovic is the Blog Editor at Scientific American, chronobiologist, biology teacher, organizer of ScienceOnline conferences and editor of Open Laboratory anthologies of best science writing on the Web. Follow on Twitter @boraz.

The views expressed are those of the author and are not necessarily those of Scientific American.

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Source: http://rss.sciam.com/~r/sciam/basic-science/~3/0w0-0NImhNI/post.cfm

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Japan Finance Minister under fire for Nazi comment

TOKYO (AP) -- Japanese Finance Minister Taro Aso has retracted comments suggesting Japan should follow the Nazi example of how to change the country's constitution, following protests by neighboring countries and human rights activists.

Aso drew outrage for saying Japan should learn from how the Nazi party stealthily changed Germany's constitution before World War II before anyone realized it, and for suggesting that Japanese politicians should avoid controversy by making quiet visits to Tokyo's Yasukuni war shrine.

Speaking to reporters, Aso said Thursday that he was misunderstood and only meant to say that loud debate over whether Japan should change its postwar constitution, and other issues, is not helpful.

"It is very unfortunate and regrettable that my comment regarding the Nazi regime was misinterpreted," Aso told reporters. "I would like to retract the remark."

Aso, who is also deputy prime minister, made the comments about Nazi Germany during a speech Monday in Tokyo organized by an ultra-conservative group.

Critics of the ruling Liberal Democrats are uneasy over the party's proposals for revising the U.S.-inspired postwar constitution, in part to allow a higher profile for Japan's military.

Japan and Nazi Germany were allies in World War II, when Japan occupied much of Asia and Germany much of Europe, where the racial supremacist Nazis oversaw the killings of an estimated 6 million Jews before the war ended in 1945 with their defeat. Japan's history of military aggression, which included colonizing the Korean Peninsula before the war, is the reason its current constitution limits the role of the military.

According to a transcript of the speech published by the newspaper Asahi Shimbun, Aso decried the lack of support for revising Japan's pacifist constitution among older Japanese, saying the Liberal Democrats had held quiet, extensive discussions about its proposals.

"I don't want to see this done in the midst of an uproar," Aso said, according to the transcript. Since revisions of the constitution may raise protests, "doing it quietly, just as in one day the Weimar constitution changed to the Nazi constitution, without anyone realizing it, why don't we learn from that sort of tactic?"

Government spokesman Yoshihide Suga said the administration of Prime Minister Shinzo Abe "in no way looks positively at the Nazi regime. Since the end of the war (World War II), our nation has consistently built up a society which thoroughly advocates peace and human rights."

"This direction remains unchanged, going forward," he added.

Aso often speaks in a meandering style that has gotten him in trouble for off-the-cuff remarks in the past. He has apologized previously for accusing the elderly of being a burden on society, joking about people with Alzheimer's disease, saying the ideal country would be one that attracts "the richest Jewish people," and comparing the opposition Democratic Party of Japan to the Nazis.

On Thursday, Aso insisted that he was referring to the Nazis "as a bad example of a constitutional revision that was made without national understanding or discussion."

"If you listen to the context, it is clear that I have a negative view of how the Weimar constitution got changed by the Nazi regime," he said.

"This is a constitution for all," Aso said. "I just don't want (the revision) to be decided amid a ruckus."

The Nazis' rise to power in the early 1930s amid the economic crisis brought on by the Great Depression was facilitated by emergency decrees that circumvented the Weimar constitution. So was Adolph Hitler's seizure of absolute power after he was made chancellor in 1933.

It was not a matter of revising but of abusing the constitution.

Opposition leaders condemned Aso's remarks, saying they showed a lack of understanding of history and hurt Japan's national interest. Some demanded Aso resign.

Aso's comments "sounded like praise for Nazi actions and are totally incomprehensible," said Akihiro Ohata, secretary general of the Democratic Party.

"Minister Aso's ignorance about historical facts is so obvious," said Seiji Mataichi, secretary general of the Social Democratic Party. "I also want to remind him that praising the Nazis is considered a crime in EU nations."

The Simon Wiesenthal Center, a group dedicated to keeping alive the history of the Holocaust, urged Aso to "immediately clarify" his remarks.

"What `techniques' from the Nazis' governance are worth learning? How to stealthily cripple democracy?" Rabbi Abraham Cooper, associate dean of the Simon Wiesenthal Center, said in a statement.

"Has Vice Prime Minister Aso forgotten that Nazi Germany's ascendancy to power quickly brought the world to the abyss and engulfed humanity in the untold horrors of World War II?"

In South Korea, Foreign Ministry spokesman Cho Tai-young said Aso's remark "will obviously hurt many people."

"I believe Japanese political leaders should be more careful with their words and behavior," Cho said.

In China, which also suffered invasion and occupation by Japanese imperial troops before and during the war, Foreign Ministry spokesman Hong Lei said the comments showed that "Japan's neighbors in Asia, and the international community, have to heighten their vigilance over the direction of Japan's development."

Hong also objected to Aso's comments on visits to the Yasukuni Shrine, which commemorates Japan's 2.3 million war dead, including 14 wartime leaders convicted of war crimes.

Aso urged lawmakers in his speech to visit the shrine at times other than the closely watched anniversary of the end of the war on Aug. 15 to avoid diplomatic flare-ups.

"We demand that Japan seriously contemplate history, remain committed to promises it made on historical issues, and take concrete actions to win the trust of its Asian neighbors and the international community," Hong said.

Source: http://hosted.ap.org/dynamic/stories/A/AS_JAPAN_NAZI_COMMENT?SITE=MOPAR&SECTION=INTERNATIONAL&TEMPLATE=DEFAULT

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